Manuel Liñán

Manuel Liñán

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As a soloist, stand out his collaborations in Merche Esmeralda’s companies as first dancer, “Campanas flamencas” with La Tati and Milagros Mengíbar, and Teresa Nieto’s company.

He collaborates in shows such as “Caminos de Lorca, along with Belén Maya and Rafaela Carrasco, advised by Cristina Hoyos.

He is invited to collaborate in the show Gala Bienal de Sevilla premiered in the City Center of New York and in Salders Well of London; “Homenaje a Mario Maya“; “Gala Flamenca”, premiered at the Sydney Opera House; “Todo cambia”, premiered in New York at the City Center Theater, etc.

He emphasizes his joint productions like “Cámara negra” next to Olga Pericet, “Dos en compañía” with Marco Flores, “En sus 13” and “Rew” next to Daniel Doña, and solo productions like “Tauro” and “Synergia” with which he has crossed numerous prestigious festivals such as the Festival de La Unión, Jerez Festival, Seville Biennial, Music and Dance Festival of Granada, Madrid en Danza, Danza en La Villa …

He choreographies for other shows such as “Cinco grandes de la danza” by Paco Romero; “Cambio de tercio”, of the Nuevo Ballet Español; “Mujeres“, by Mario Maya; “La casa de Bernarda Alba” by La Tati; “Dibujos”, by Belén Maya; “De cabeza“, by Teresa Nieto; “Con cierto gusto” and “150gr de pensamiento”, by Rafaela Carrasco. Stage director and choreographer of the gala “Todo cambia” in which Pastora Galván and Belén López are involved.

He choreographies for the Royal Conservatory of Professional Dance Mariemma and he is guest choreographer of the National Ballet of Spain at the shows “Ángeles caídos” and “Sorolla”.

In the Festival of Jerez 2014 he premieres the fourth production of his company, “Nómada”.

He has received the Max of the performing arts of Spain for the best choreography by “De cabeza” in 2009; the Dancer prize Revelation of the festival of Jerez 2012, the Max 2013 prize as best male performer of dance, specialized critics prize Flamenco Today 2013 and 2014 as best bailaor; Granada Young Award 2014 in the modality of Art awarded by the Andalusian Institute of Granada; prize of the Critique of the Festival of Jerez 2016 by “Reversible”.

He has collaborated in different ocasions with Tablao las Carboneras in Madrid.

 

Águeda Saavedra

Águeda Saavedra

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Born in Nerja (Malaga) in 1995. She began her studies at the Conservatory of Dance in Málaga in 2002 and ending in 2012 at the Conservatory of Dance Carmen Amaya in Madrid.

Part of the company GR Project with Daniel Doña and Manuel Liñán in the show REW, opening in February 2012, touring major festivals and being part of the programming of the Bienal de Sevilla 2012.

Dancer in Entredós company under the direction of Elena Algado and Miguel Ángel Corbacho, performing in the show “Silencios rotos” in November 2012.

In the summer of 2013 she participated in “Lorca y Granada” in the summers of Generalife, choreographed by Fuensanta “La Moneta” and Manuel Liñán.

She is a dancer of Manuel Liñán company with the show “Nómada” premiered at the Festival de Jerez in 2014 and which has toured various theaters and festivals as well as the Bienal de Sevilla.

Winner in the II Contest Tablao Villa-Rosa in 2013 and dancer in various Spanish tablaos: tablao Las Carboneras, Villa-Rosa, Corral de la Morería, El Arenal, Tablao Cordobés, Tablao del Carmen, among others.

Scheduled along with Adrián Santana in the summers of Corral de Málaga Biennial with the show “Simbiosis“, having great acceptance of public and reviewers, as well as at the XXII Jerez Festival of 2018.

She is part of the company of Marco Flores with the show “Entrar al juego” premiered at the Jerez Festival of 2016. She is dancer of the company of Jesús Carmona in the show “Impetu’s“, combining these collaborations with solo performances and dancing in the tablaos most important of the Spanish geography.

She has been a finalist in the XXII National Contest of Córdoba in 2019, and is currently preparing what will be her first solo show..

José Jurado

José Jurado

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Cordoba dancer, in 1992 he entered the Conservatory of Cordoba finishing studies of Spanish dance and accessing classical dance with excellent results. He has taken classes with El Güito, Rafael Campallo, José Antonio, Aída Gómez, Aurora Bosch, Alfonso Losa, Andres Marin, Mercedes Ruiz, Marco Flores and Manuel Liñán.

He is incorporated in 2001 to the Andalusian Dance Company where he participated in productions touring theaters in New York, Washington, Boston, Bangkok, Prague, Budapest, Sevilla, Madrid, Barcelona, Bilbao … In 2003, he joins Cristina Hoyos and tours several theaters with the show “Yerma” in which he participates. In 2004, he shares the stage with Rafaela Carrasco, Belén Maya and Manuel Liñán and he performs in the Bienal de Sevilla. That same year he joined the company of Aída Gómez and he participates in the making of the film “Iberia” directed by Carlos Saura. In 2005, he joined María Pagés company. Since then he continues to work with her visiting the best theaters and festivals worldwide.

Alongside his work with Pagés, Jurado has his own shows, such as “Manolete, arte, pasión y muerte”, which he represented in 2010 during the Noche Blanca del Flamenco of Córdoba.

In February 2012, he traveled to Algiers to direct and star in his show “Templanza” in the XIII European Cultural Festival in Algeria. In late 2013, he toured the US with that show. Currently, he combines the stage with his work as a professor at the Conservatorio Flamenco Casa Patas Foundation.

In all these years he has performed in numerous tablaos among which is Las Carboneras, in Madrid.

As a soloist he has won the fourth prize in the contest of La Perla de Cádiz (2007).

“Dancing in the tablaos is booming”

«At present, due to the scarcity of flamenco programming in theaters in Spain, dancing in the tablaos in the boom, as the artist has the need to express their feelings and in them they have the opportunity not to lose contact with the stage.
Personally, it brings me a constant learning and awakens my creativity, because, when you coincide with different artists, you can see the form that each one understands this art.
It is an experience for all the artists to pass because it makes the artist mature in all the senses».

Marina González

Marina González

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Born in Barcelona in 1987, she is formed in the city of Barcelona in different disciplines, focusing finally on flamenco by masters as Antonio Canales, La Chana, Rafaela Carrasco, Eva Yerbabuena, Manuela Carrasco, among others.

She has been part of Rafael Amargo’s company since 2013, participating in the shows “Suite Flamenca”, “Ecléctic” and “Tiempo Muerto 2”. In 2016, she is part of the show “Carne y hueso” by Eva Yerbabuena.
She participates in festivals like Flamenco Festival of Nou Barris, the Cycle Catalunya Flamenco Art, Mas i Mas Festival in the Palau of the Music, and the Cycle Nights of Duende in the Pedrera. As well as the Festival of Béziers (France), the Flamenco Cycle of the BBK Room (Bilbao) and the Flamenco Festival of the Amphitheater of El Hatillo (Caracas, Venezuela).

She forms part of the shows Gran Gala Flamenco and Ópera Flamenco as bailaora soloist in the Palau de la Música and the Poliorama Theater.
Winner of the “Juana la Faraona” award in the Young Values Contest, 2009. First prize for choreography. Barcelona, 2014.
She works as a solo dancer in Tablao del Carmen, El Cordobés, Tarantos, Palau Dalmases, Flamenco Ramblas and Teatro Principal, in Barcelona. Also in Tablao Villarosa and Las Carboneras, in Madrid.

She has taught in different schools in Barcelona and also as an assistant professor in the music career that takes place at the Taller de Músics in Barcelona. At the same time she combines courses in different cities of the world.

«I feel very identified with the concept of Las Carboneras», says the bailaora from Barcelona

“I feel very fortunate to be part of this tablao, Las Carboneras, because the truth is that I have always worked with colleagues of my taste that have made me enjoy up and down the stage always. I feel very identified with the concept and the way of working that is here, the way that Ana and Tacha have to work and enjoy on stage and, furthermore, I feel that I can always develop and experience new things to continue learning and advancing. So what more could you ask for? Just give thanks and be able to continue enjoying this site every time I get on the boards».

Nino de los Reyes

Nino de los Reyes

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Born in Boston (USA, 1985). He began his professional career with the director Paco Suárez in the show “Campanas flamencas” with La Tati, Milagros Mengíbar, Joaquín Grilo, Antonio Reyes and Isaac de los Reyes. With that show, he visited theaters like Sadler’s Wells in London or the Sydney Opera House. He is required by the flamenco companies of Eduardo Serrano, El Güito, Carmen Cortés, Javier Barón and the Losada family, among others.

He has collaborated with artists such as Pepe Habichuela, Josemi Carmona, Guadiana, Paquete, Jerónimo, Miguel El Rubio, Jesús del Rosario, Camarón de Pitita and Ramón El Portugués. He was part of the group of artists who accompanied the maestro Enrique Morente in his concerts as well as the guitarist Juan Carmona during his tours in France. He has also participated in shows such as “Romancero Gitano” by Paco Suárez, “Vertiges” by Tony Gatlif and “La Celestina” by Gerardo Vera.

He has performed in different stages and festivals such as the Seville Biennial, Jerez Festival, Suma Flamenca, Teatro Español, Teatro Madrid, Centro Cultural de la Villa, Majestic Theater (Boston), Les Nuits de Fourvière (Lyon) and Puerto Rico Heineken Jazzfest with the pianist Ariadna Castellanos. More recently, he has participated in the 4th Berklee Middle Eastern Flamenco Today Festival along with music producer Javier Limón, singers Pepe de Lucía and Genara Cortés and percussionist Sergio Martínez.
As for his own shows, Nino de los Reyes has: “Flamenco essence”, premiered in Spain, Greece and Japan; “Hombres flamencos” next to his brother Isaac de los Reyes and Alfonso Losa, represented in the Boston Ciclorama; “Origen”, presented at the Flamenco Festival of Chateauvallon (France) and Suma Flamenca; “Flamenco sin más”, premiered at Rialto Ethnic World Music Festival (Cyprus); “Inside”, released in Madrid in the off room La Latina with artists such as Juan José Suarez “Paquete”, Alain Perez and David de Jacoba.

In 2013 he participated in the show “Tendencias” by Alfonso Losa, which premiered at the Teatro del Canal in Madrid with different international tours. That same year he collaborates as main bailaor in the show “Flamencas en la sombra” of Montse Cortes and in the Festival of Gent next to José Manuel León. During his stay in the USA in 2013 he was required by the singer-songwriter Paul Simon to collaborate in recording the artist’s latest album. In 2014 he participates in the project “Huellas flamencas” with Jesús Carmona, which opens in Guadalajara (Mexico), and collaborates in the show “En cante a dos” with the singer Montse Cortés and the Israeli singer Yasmin Levy. Premiered at the Teatro Español in Madrid. He also performs a choreographic residency at the Boston Center for the Arts where he creates the show “Two Men”, presented in Boston and Washington. He participates in the assembly of “Bodas de Sangre” at the University of Notre Dame of the USA under the direction of Anton Juan. In June 2014 he is a guest artist at the Spanish Dance and Flamenco Competition in Madrid. In 2015 and 2016 he participates in the following projects: toured the US with his show “Inside”; touring Mexico with the show “Huellas flamencas”; premiere of “Amorente” with José Maldonado and Karen Lugo at the Madrid 2016 Flamenco Festival. That same year is invited by Chick Corea to participate in the 75th anniversary of the Blue Note with great names such as Carles Benavent, Jorge Pardo, Niño Josele And Tom Breitchlein. He is also invited by the percussionist Sergio Martínez to participate in the presentation of the new album “Stranger to Stranger” by Paul Simon at the Barclays Center in Madrid in front of 20,000 people.

He is currently required to join the group that accompanied Paco de Lucia in the show “Beyond the Memory” in honor of the maestro. He also just recorded for Telecinco the program “Las noches del Berlín”, where big names from current flamenco such as Antonio Canales, Farruquito, José Maya, the Porrinas family, Duquende, Juan Antonio Salazar, the Habichuela family and others will appear.

«Every night is magic, different»

“For me Las Carboneras is the tablao where flamenco is lived at its best (tradition, roots, purity, spontaneity, improvisation). Each night is magical, different from others, we live what fills our soul.

»I remember coming to the locker room for the first time at age 16 and wanting to prepare my dance with the musicians. Then, they said to me: “here one sings, one dances and one plays, and that’s all”. That’s real flamenco and I think it was the greatest lesson in my artistic life. “

La Popi

La Popi

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At the age of five she began her career in the world of dance with an inclination towards flamenco. From 1981 to 1993 she studied and completed her dance training. In 1987 she received the attention of Merche Esmeralda, who leads her to the Marta de la Vega academy where she studies for the Madrid Conservatory, obtaining excellent results. She has received classes at the Amor de Dios School with the following teachers: El Güito, Manolete, Carmela Greco, Belén Maya, Belén Fernández, Carmen Cortés, Antonio Canales, Adrián Galia. In other disciplines of dance she has studied with Julia Estévez, Haydeé Cayeto Vela, Nadine Boisaubert, Julia Olmedo, Pedro Azorin, Monica Runde.

As a professional she has joined the following companies: El Güito (“Raíces flamencas”, “Solo flamenco”, “A puerta abierta”, “Mis recuerdos”); Manolete (“Flamenco soy”, “Mi camino”); Manolete and El Güito (“Puro y jondo”); Carmen Cortés (“Yerma,” “Salome”, “Racial”); Blanca del Rey (“Flamenco a bocajarro”); Joaquín Grilo (“Jácara”); Rafael Amargo (“Poeta en Nueva York”); Pepe Flores (“Mi verdad“); Domingo Ortega (“…Y ahora me voy con mi mare”); José Manuel Huertas (“Formas flamencas”); Lola, Carmela and José Greco (“Flamenco”); Spanish Suite (“Parque España”).

She has performed in the following stages: Teatro Chatelet (Paris), Caen Theater (France), Belen Cultural Center (Lisbon), Lope de Vega Theater (Seville Biennial), Albèniz Theater (Madrid), Villamarta Theater (Jerez de la Frontera), Teatro Alhambra and Teatro Isabel La Católica (Granada), Teatro Metropolitan (Mexico City), Teatro Romano de Mérida, Palau de la Música (Valencia), Cuevas de Nerja, Teatro Romano de Spoleto (Italy), Irvine Barclay Theater, Taormina Congress Hall (Italy), and other important theaters in Europe and the United States participating in different festivals.

From 1996 she performs as soloist in the tablaos Casa Patas, Las Carboneras, Corral de la Morería, Café de Chinitas, Corral de la Pacheca, Alandalusí and Axarquía, in Madrid, and in different cities of the world.

Professor at the Marta de La Vega Academy. Dance courses and flamenco culture in Naples, Benevento, Japan …

At the moment she is part of the tablaos previously mentioned, combining it with the performances in the company of Pepe Flores.

She imparts her didactic experience in Spain and different parts of the world.

Hugo López

Hugo López

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(Córdoba, 1989). He began his training at Luis del Río Dance Conservatory (Córdoba) and at the flamenco dance academy of his sister and teacher, Encarna López. Afterwards and during two years, he complements his knowledge in the Andalusian Center of Dance of Seville. He has also studied together with established artists and choreographers such as Javier Latorre, whom he is considered disciple, Antonio Canales, Rocío Molina, Rubén Olmo, F

arruquito or Joaquín Grilo.

As corps de ballet he has been part of several companies: Dos por medio and Cía, by Rafael Estévez and Nani Paños, in the show “Flamenco XXI: Ópera, Café y Puro” (prize for the best show at the Festival de Jerez 2008); acting in the Flamenco Biennial of Málaga or in the Veranos de la Villa (Madrid); with the company of Javier Latorre in the show “Bailando a Camarón“, premiered in la Linea de la  Concepción in 2009; “El Duende y el Reloj“, represented at the Festival de la Guitarra de Córdoba 2010 and at the Festival de Jerez; in “Fedra”, coming to play the role of “Hipólito”, along with Alejandro Granados, Carmelilla Montoya or the national dance award 2009, Lola Greco. This last work has been represented in Naples, Festival of the Guitar of Córdoba, Almagro, Mérida, etc. With the company of Nuria Leiva, during the programming of La Chumbera in 2011 (Granada). With Shoji Kojima, in the play “La Celestina”, premiered at the Ginza Theater in Tokyo, conceived entirely in Japan and also represented during the Festival de Jerez 2011. Cía. Proyecto Gr (by Manuel Liñán and Daniel Doña), in the show titled “REW“, premiered during 2012 at Teatro Paco Rabal in Madrid and also represented in Bilbao and Milan. Again, with the company of Javier Latorre, with a solo role in the show “Delicatessen”, represented during the 11th International Festival of Viva España in Moscow, sharing stage with Javier Latorre, Fuensanta “La Moneta” and Concha Jareño. With Manuel Liñán and La Moneta in the play “Duende“, represented in the cycle “Lorca and Granada in Los Jardines del Generalife”, during the year 2013.

As soloist: “FATUM-The Force of Destiny” directed by Javier Latorre; Ballet Flamenco de Andalucía (2013-2016), under the direction of Rafaela Carrasco; Animacor Awards Gala 2009; Benicassin International Festival (2008); Tablao Flamenco El Cordobés, from Barcelona, ​​where he has usually performed since 2008 and where he has shared stage with great artists such as “La Susi”, Guadiana or Pastora Galván, among others; Tablao Las Carboneras; Gala charity “Flamencos por Japón”, joint performance with the Guitars Orchestra of Cordoba, directed by José Manuel Hierro, also playing the role of choreographer; Noche Blanca del Flamenco (Córdoba); Los Veranos del Corral 2011 (Granada); cycle “Flamenco viene del Sur” (2011-2012), in the Central Theater of Seville; Bienal de Flamenco de Sevilla, in 2012, at the Alameda Theater; XVII Festival of Jerez, within the cycle “Paso a dos. Maestros y Jóvenes”, along with Javier Latorre; Festival of Cante Grande of Puente Genil 2012.

Prizes and recognitions: first prize “Ciudad de Córdoba”, granted by the Peña Flamenca of the Campo de la Verdad (2003); first prize in the National Contest of Flamenco Art of Mijas (2006); first prize in the Andalusian Young Flamenco Contest 2010, organized by the Andalusian Institute of Youth.

 

Vanesa Coloma

Vanesa Coloma

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After having participated as a guest artist and as a soloist in the companies of Belén Maya, Jesús Carmona, Rocío Molina, Alfonso Losa, Manuel Liñán or Noche Flamenca and of having collaborated in fifteen shows:
“FlamenKlorica”, by Vanesa Coloma; “7 balcones”, “4 adjectives” and “Equilibrio flamenco”, by Jesús Carmona; “Tauro” and 2 en compañía”, de by Manuel Liñán;
“Oro viejo”, “Cuando las piedras vuelen”, “Almario”, “Turquesa como el limón” de By Rocio Molina;
“Souvenir” y “Dibujos” de Belen Maya;
“Camino flamenco” y ”En Candela”, de Alfonso Losa;
“Mujeres al borde de una bata de cola”, of Yolanda Heredia, with which she has participated in several occasions in the most prestigious flamenco festivals: Seville Biennial, Jerez Festival, Festival de Cante de Las Minas, Suma Flamenca, Madrid en Danza, Flamenco USA Festival, Alburquerque Festival, Mont de Marsan Festival, Nimes Festival, etc.

Undoubtedly we are facing one of the most important artists of her generation. At present, she combines all kinds of collaborations as a guest artist in the different companies mentioned, with her show “FlamenKlorica”, which after being released in Madrid in 2015 and thanks to its great acceptance, this year is part of the Flamenco Festival Madrid 2016, Otoño Flamenco, Festival Tío de la Juliana, Corral del Carbón, Otoños Flamencos.

Also, she is one of the regular guest artists of the Tablao Las Carboneras in Madrid, among other stages.

“My life is a bulería”

«I started studying in the conservatory and already there the ballet teacher put me the motto of the flamenco and told me that life was not a bulería, since my way of acting in the class, wearing pants, was very flamenco since very small. That seemed a bit strange to her, but in the end she was wrong: my life is a bulería. And in a natural way, I started to dance flamenco, dancing in the tablaos of Madrid.
»For me the tablao is the great academy of flamenco, where you really learn to dance and you grow daily and gradually you create there your own personality. The intimacy and sincerity of dancing to simply feel the cante and the guitar only takes place in the tablao. So for me to dance in a tablao is essential for my life, because without that moment of expression I could not vent. And apart from my sensations, I enjoy seeing my mates dancing, turning myself into public and enjoying myself as a child.

My work life, both alone and in company, is intense and I learn a lot from day to day. Working with many people in companies and with such different concepts gives me the learning to embark alone in my new show “FlamenKlorica”, in which I have inspired to pay homage to all those flamenco and folk artists that were very united in the golden age such as Lola Flores , La Terremoto or Gabriela Ortega I want to make with this show a nod to that memorable time where the poetry and the own personality of the artists left us an unequaled legacy, which today we remember as one of the best times of flamenco».

Miguel Ángel Heredia

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Miguel Ángel Heredia (Jerez de la Frontera, 1985) initially has teachers such as Manuela Carpio, Chiqui de Jerez, Adela Campallo, Marco Flores, among others. His first professional steps are in El Lagá de Tio Parrilla with Juan Parrilla, with whom he made his first tour of Italy in 1999 and it is in that same year when he is part of the company of Manuel Morao and Gitanos de Jerez.

In 2003 he moved to Seville and was part of the Los Gallos and El Arenal tablaos for several seasons.

In 2005, his performances stand out at the Jimena de la Frontera International Music and Dance Festival, Flamenco Friday in Jerez, Flamenco Thursday in Cádiz, Fiesta de la Bulería de Jerez, etc.

In 2009, Javier Latorre is part of the shows “From Córdoba to Cádiz” and “From here and there” with Pastora Galván and Concha Jareño, among others, represented at the Tablao Cordobés in Barcelona.

In that same year he traveled to France, Germany, Belgium, Holland, Cape Verde …

Guest artist at Tablao Las Carboneras and at Casa Patas (Madrid).

In 2008 he is part of the cast of “Al son de Moraito”, by guitarist Moraíto Chico.

Since 2008 he travels annually to Japan to teach and perform performances.

In 2015 he dances at the Tokyo Flamenco Festival with Marina Heredia.

In 2017 he was awarded the Premio Artista Revelación del Festival de Jerez.

He is currently part of the Manuel Liñán Company in the show “Viva!!“.

 

 

Laura González

Laura González

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She was born in Madrid in 1981. She started her dance studies at the age of 4, preparing herself in different styles of dance and, at the age of 15, she began her training in flamenco at the school of Amor de Dios, studying with maestros like Ciro , Merche Esmeralda, Antonio Canales, La China, Belén Fernández, Alejandro Granados… At the age of 17 she began to work professionally traveling to Japan, as well as to various cities in Spain. In 2004 she works in the prestigious tablao El Flamenco (Tokyo) as a solo dancer. In 2006 and 2007 she acts as a guest dancer in tablao El Cordobés of Barcelona. She has also danced in prestigious tablaos in Madrid like Casa Patas, Las Carboneras, Villa Rosa, Corral de la Morería or Corral de la Pacheca.
She has been a member of companies such as Compañía Tomás de Madrid, with whom she toured extensively in Russia, Estonia, Latvia and Lithuania; Los Losada (various Latin American tours as a solo dancer); Rocío Molina (with the shows “Entre paredes”, and “Cuando las piedras vuelen“; Belén Maya (with the shows “Los invitados“, “Recital” and “Los bailes de Belén Maya”, working in festivals such as Festival de Jerez, Seville Biennial 2014, Bilbao Flamenco Festival, Berlin and St. Petersburg Flamenco Festival, etc.), Puro Flamenco (company in which Juan Manuel Fernández “Farruquito” collaborates on a tour of Chile in June 2016 ).

She is required to participate in different festivals such as the Dance Cycle of Madrid Danzapiés, Flamenco Festival Silla de Oro (Flamenco Days of La Fortuna 2009 next to Marco Flores and Jesús Méndez), Flamenco Autumn in La Merced, Cádiz (collaborating with José Anillo) .
She has shared stage with artists such as Farruquito, Carmen Linares, Belén Maya, Rocío Molina, Hiniesta Cortés, Rosario Toledo, Marco Flores, Manuel Liñán, Olga Pericet, José Anillo, Encarna Anillo or Jesús Méndez.
She has given workshops and dance courses in Madrid, Seville, Japan, France, Germany and Brazil. In 2008, she presented her show “Retales“, at the Auditorio Mariana Pineda, a show with which she travels to countries such as Switzerland, Germany or France. “Retales” is a kind of delicate and laborious “patchwork” in which all the pieces fit perfectly: dance, sing, guitar and percussion, united in the common attempt to captivate, surprise and thrill.

In 2010 she moved to Seville where she works in Miércoles a Compás (space of Endanza), Museum of the Flamenco Dance of Cristina Hoyos, Peña Flamenca Pies Plomo, Peña Flamenca Torres Macarena …
From 2010 she works regularly in the prestigious Tablao Los Gallos.
Actually continues to collaborate with the company of Belén Maya in her different shows, combining it with his collaboration in the most prestigious tablaos of Madrid and Seville and with her solo career. In addition, she prepares her next project.

«For me the tablao is the largest school in flamenco»”

«The tablao gives you the opportunity to improvise at every dance, as well as forcing you to listen and respect the sing and the guitar. I personally have had wonderful nights at tablao, where unique and unrepeatable moments are created that cannot be given in a theater or other place where everything has to be measured and rehearsed».